Robert
Russell
Magee
Bio
Short Stories
The Doll of the Orphanage
Dr. Edwards and Miss Robinson
A Death on a Train
Stevens's Vision
Under a Callous Moon
The Garret
Musings of a Brief Spring
Flashing Lights and Unfaith
Dr. Douglas and Hyde Robinson: A Play
The Bartender
The Black Box
Omen, TX
Bridge City
A Drag
A Forlorn Fowl
A Childhood Memory
A Night on the Beach
The Dinner
The Show
Day 24
Poetry
Spit, Rinse, and Repeat
Fate Delights to Thwart Us
2 am
Fall
Reluctant Wisdom
Song Sestina
Closer
Monologue
Articles
A Review of "Ain't I a Woman!"
Former Emo Kid Takes on the Opera
Guilty by Reason of Insanity Book Review
Pet Sematery Book Review
Essays
The "Still" Life of Clarissa Dalloway
Addie's Addendum
The Decreation of Hazel Motes
The Body as a Site of Affirmation
The Finn Family Romance
The Strings of Serial Identity
The Canary in the California Coal Mine
The Philosopher and the Artist
Modern Hysteria in the Late 19th Cent.
Interpretation of a Jar
The Plight of the Erudite
A Visit from the Geek Squad
The Immaculate Desecration
The Anti-Wedding March
Selfhood, Memory, and Amos Tutuola
The Embroidery of Paranoia
Jonathan Swift, the Iconoclast
On Felman's Turn of Interpretation
The Importance of Reading
Calibrating Interpretation
To Forge Meaning in Joyce’s "Portrait"
Woolf on Physicians in "Mrs. Dalloway"
On Burke and Shelley
Miss Emily Grierson, the Martyr
Themes in "Leviathan"
Parody of Sonnet Love in "Twelfth Night"
Machiavellianism in "Henry V"
Published Works
The "Still" Life of Clarissa ...
Scenes of Ecstasy
The Stranger on the Train
This Isn't a Love Letter, I Swear
Blog
